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Depiction of Mental Disorders in Human Behavior Through Cinema: Related to Ashoka Handagama’s Cinematic Approach

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dc.contributor.author Wijayasinghe, A.
dc.contributor.author Rajapaksha, A.
dc.date.accessioned 2017-01-31T09:09:42Z
dc.date.available 2017-01-31T09:09:42Z
dc.date.issued 2016
dc.identifier.citation Wijayasinghe, A. and Rajapaksha, A. 2016. Depiction of Mental Disorders in Human Behavior Through Cinema: Related to Ashoka Handagama’s Cinematic Approach. In proceedings of the 17th Conference on Postgraduate Research, International Postgraduate Research Conference 2016, Faculty of Graduate Studies, University of Kelaniya, Sri Lanka. p 215. en_US
dc.identifier.uri http://repository.kln.ac.lk/handle/123456789/16148
dc.description.abstract According to the Critics, cinema can be considered as the most powerful medium of art which can be used to deliver powerful messages towards the human society. In that aspect, the director of the film has a major responsibility in creating and delivering such messages to the audience through using creative elements of cinema. Most number of directors tries to reveal the unseen reality of human life through the cinema. Ashoka Handagama can be considered as a director who always tries to reveal the bitter truth of human nature through his cinematic approach. Most number of cinema creations done by Handagama created a controversial atmosphere in the Sri Lankan society. Some of his cinema creations were banned due to that reason. But Handagama tried to reveal some human mental disorders which prevailed in the Sri Lankan society where the public do not like to accept it. This research mainly focused on how Handagama tried to depict mental disorders of human nature through his cinematic approach. Content analysis and in-depth Interviews were used as the research methods to collect data regarding this. According to the data which was collected from the above methods, clearly suggest that number of mental disorders in human behavior had depicted through Ashoka Handagama’s cinematic approach. At the same time, these disorders have rally prevailed in the society where public do not like to accept that reality. In this context, Handagama’s cinema becomes controversial which paved the way for banning his films. en_US
dc.language.iso en en_US
dc.publisher Faculty of Graduate Studies, University of Kelaniya, Sri Lanka en_US
dc.subject Ashoka Handagama en_US
dc.subject Cinematic Approach en_US
dc.subject Mental Disorders en_US
dc.subject Cinema en_US
dc.title Depiction of Mental Disorders in Human Behavior Through Cinema: Related to Ashoka Handagama’s Cinematic Approach en_US
dc.type Article en_US


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