dc.contributor.author |
Uthpala, G.B.I. |
|
dc.date.accessioned |
2017-02-23T07:14:23Z |
|
dc.date.available |
2017-02-23T07:14:23Z |
|
dc.date.issued |
2016 |
|
dc.identifier.citation |
Uthpala, G.B.I. 2016. An Investigation on the Social Importance of the Entrance of Sooniyam Yakshaniya in Daha Ata Sanniya. Student Research Symposium (SRS - 2016), Drama & Theatre and Image Arts Unit, Department of Fine Arts, University of Kelaniya, Sri Lanka. p 24. |
en_US |
dc.identifier.issn |
2550-2476 |
|
dc.identifier.uri |
http://repository.kln.ac.lk/handle/123456789/16522 |
|
dc.description.abstract |
This research paper focused on the importance of the entrance of Sooniyam Yakshaniya
in Daha Ata Sanniya. “Daha Ata Sanniya is the ritual that is held for Sanni Yaka and
other related Devils to avoid blemishes sustained from sanni yaka” (Kottegoda, 1989).
Not only is Daha Ata Sanniya aesthetically pleasant, but it also depicts social values,
particularly those of the low country. It deliberates on social and human problems. The
purpose of this investigation is to determine whether it represents more social values in
the arrival of the Sooniyam Yakshaniya than the other situations among the main three
situations in Daha Ata Sanniya. My opinion is that it is not only merely a form of
entertainment. The arrival of the Sooniyam Yakshaniya as a damsel, pregnant mother
and a mother holding a baby, illustrates an important social value. Even though it was
created in ancient society, it is applicable to current society. Here social problems and
infirmities are discussed with relish. The social value is expressed by attempting to give
a conception of political problems; infirmities accepted by society, women in politics, the
nature of girls when it comes to acceptance and belief, and human relations. The arrival
of the Sooniyam Yakshniya helps to correct the current understanding of it by understanding
the infirmities individually. |
en_US |
dc.language.iso |
en |
en_US |
dc.publisher |
Drama & Theatre and Image Arts Unit, Department of Fine Arts, University of Kelaniya, Sri Lanka |
en_US |
dc.subject |
Sooniyam yakshani |
en_US |
dc.subject |
Daha Ata Sanniya |
en_US |
dc.subject |
Sanni yaka |
en_US |
dc.subject |
Pahatharata shanthikarma |
en_US |
dc.title |
An Investigation on the Social Importance of the Entrance of Sooniyam Yakshaniya in Daha Ata Sanniya |
en_US |
dc.type |
Article |
en_US |