Digital Repository

Immortal Online: A Study of Digital Storytelling on Deceased Subjects

Show simple item record

dc.contributor.author Meegaswatta, T.N.K.
dc.contributor.author Willarachchi, L.
dc.contributor.author Chamba, Z.N.
dc.contributor.author Niles, J.S.
dc.date.accessioned 2020-02-06T09:22:22Z
dc.date.available 2020-02-06T09:22:22Z
dc.date.issued 2019
dc.identifier.citation Meegaswatta, T.N.K. Willarachchi, L. Chamba, Z.N. and Niles, J.S. (2019). Immortal Online: A Study of Digital Storytelling on Deceased Subjects, International Postgraduate Research Conference 2019, Faculty of Graduate Studies, University of Kelaniya, Sri Lanka. P. 128 en_US
dc.identifier.uri http://repository.kln.ac.lk/handle/123456789/21018
dc.description.abstract Langellier (2011) has argued that the telling of a story is a performance. Such emphasis on storytelling as performance conceptualizes the “narrative as act, event and discourse-a site for understanding and intervening in the ways culture produces, maintains and transforms relations of identity and difference” (p.3). When the digital sphere is brought into the equation, the possibility of multiple and contesting narratives with varying relations to structures of power and visibility are inevitable. The digital space enables the production and dissemination of individualized alternative narratives from multiple subject positions that may challenge dominant narratives. Further, the personal and the ordinary may metamorphose in digital spaces, challenging and changing the ways in which individuals interact with and respond to lived reality. Drawing on the premise that the digital is an agentive space and the interactions on the digital sphere involve intervention and transformation, this paper critically reads the multiple narratives surrounding the tragic death of a young Sri Lankan woman as represented in multiple digital platforms. The paper attempts to explore the subject positions of storytelling and consumption, ethics of storytelling, structure and interaction of users with the deceased subject’s social media presence, and concepts of virtual body, digital remains, and grieving through drawing on intersecting theoretical readings on discourse (Foucault, in Hall, 1997), liminality (Lister et al, 2009), gaze (Mulvey,1999), storytelling and power (Plummer, 1995; Cohen-Cruz, 2006) in the digital platform. A critical content analysis of meta-narratives and numerous alternative narratives made viable on digital spaces suggests that the liminality of digital spaces allows multiple subject positions and subversive ‘truths’ that blur the boundaries between seeming binaries; in this particular instance, those of life and death and public and private en_US
dc.language.iso en en_US
dc.publisher International Postgraduate Research Conference 2019, Faculty of Graduate Studies, University of Kelaniya, Sri Lanka en_US
dc.subject Immortal online en_US
dc.subject Digital storytelling en_US
dc.subject Deceased subjects en_US
dc.subject Performance en_US
dc.subject Digital Sphere/ Space en_US
dc.subject Lived reality en_US
dc.subject Subject position en_US
dc.title Immortal Online: A Study of Digital Storytelling on Deceased Subjects en_US
dc.type Article en_US


Files in this item

This item appears in the following Collection(s)

Show simple item record

Search Digital Repository


Browse

My Account