dc.contributor.author | Rewatha, Udawela | en_US |
dc.date.accessioned | 2014-11-13T09:51:08Z | |
dc.date.available | 2014-11-13T09:51:08Z | |
dc.date.issued | 2010 | |
dc.identifier.uri | http://repository.kln.ac.lk/jspui/handle/123456789/3200 | |
dc.description.abstract | The poem is a picturesque art media as it filled with the joyful attractions. That joyfulness depends on the interesting. The poem without an interesting is not a real one. The canon of the poem admirers is that the sentence included the interesting is a poem. That is the regular feature in every poem. The poem filled with the interesting come across in the Sanskrit literature is a best example for this. The Sanskrit poem comprised with the interesting has not automatically delivered one. This has started as results of many incidents which have being grown from a long time. Deferent definitions were presented about the interesting of the poem by various admirers. Equalities and inequalities of them can be seen and the majority expectation is that there is nothing except the soul called the interesting in which it hid. This feature can be seen among the creation of the first Sanskrit poets but many creations after them are separated from heartily interesting for they had tried to enter them an artificial nature. | en_US |
dc.publisher | Journal of Faculty of Humanities, University of Kelaniya | en_US |
dc.subject | Sanskrit literature | |
dc.subject | Sanskrit poetry | |
dc.title | Vakyam Rasatmakam kavyam | |
dc.type | article | en_US |
dc.identifier.department | Sanskrit | en_US |
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