Abstract:
The archaeologically valued Frescoes at Sigiriya, a World Heritage Site in Sri Lanka,
play a major role in remarkable historic interest. Microbial growth on fresco paintings
has been identified worldwide as a significant factor which affects the quality of
paintings. Microbiological investigation of fresco paintings therefore has become an
important aspect of conservation strategy.
The microbiological investigation of the Sigiriya frescoes was carried out in June 2005
by visual detection, microscopic investigations and using microbial culture techniques.
The samples for microbial culture techniques were taken from each colour regions
separately using sterile cotton swabs and cultured in Nutrient Agar (NA), Trypton Soy
Agar (TSA) and Potato Dextrose Agar (PDA) media.
The observations revealed that the fresco surface was free from any fungal, lichen or
cyanobacterial growth but eleven bacterial cultures were isolated from a decayed patch,
from non painted plaster and from a cavity. All the isolates belong to the Genus Bacillus
having no conformity with any of the Bacillus spp either indicated in ‘Bergy’s manual of
systematic bacteriology vol I and II or included in the computer database developed by
Trevor Bryant, University of Southampton, UK (2005). One isolate showed similar
morphological characteristic features to the Bacillus decoloratiois sp. Nov. bacterium
which has been proposed for the new isolate that was responsible for de-colorization of
the fresco paintings in Spain and Austria. However, the biochemical characterization of
the isolate showed that is a distinctive species having no conformity with Bacillus
decoloratiois sp. Nov. Further characterizations using DNA based techniques are being
carried out in order to determine whether the isolate is a new species or a similar strain of
the Bacillus decoloratiois sp. Nov.
In the process of conservation, periodic monitoring and further investigations are being
carried out for the detection of microbial growth forms including the Bacillus species on
the fresco paintings in order to protect them from any microbial de-colorization and
degradation.
